CAMERA

Red One Body $800/day, $2,500/week

To learn about the Red One visit www.red.com or www.reduser.net.

The camera body may be accessorized with items from the following categories. Items such as the flash module, focus hook, and BNC Video Break Out Box come attached to the camera body.

Basic Production Pack + Included with camera

(Universal Mount, Red Handle, Bottom Plate, Shoulder Dovetail, Top Mount, Top Handle, Red Cradle, 18” 19mm Steel Rods) + 12” 19mm Aluminum Rods, Top Mount, Top Handle Extension, Focus Hook, Flash Module, Cables

These are Red’s manufactured accessories. The rods system is 19mm based. If you prefer Arri Studio 15mm, see the 15mm Studio Configuration category below. The top mounts and handles are rugged and useful for attaching additional accessories.

Media Included with camera

2 x 8Gb CF Cards, 2 x 320Gb Red Drives, CF Firewire800 Reader

Red’s 8Gb Compact Flash cards can hold approximately 4 minutes of 4K footage. The Red Drives can hold approximately 3 hours of 4K footage. Both can be downloaded to backup storage drives for editing using Firewire 800 – direct from the drives, or using the Lexar Compact Flash reader.

Monitoring Included with camera

Panasonic 17” production monitor, RED LCD Screen, RED EVF Viewfinder, Element Technica Video Break Out Box

The Panasonic BT-LH1700W is a professional HD field monitor offering calibration, scopes, and connectivity to the camera via the Element Technica Break Out Box. It can be mounted to a tabletop stand, or any light or C-stand with a 5/8” head. Red’s 5.6” LCD Screen and EVF (viewfinder) connect to the camera body using adjustable articulating arms.

Power Supply Included with camera

Red Charger, 3 Red Bricks, DC Power Cable, AC Adapter

Each battery will power the camera for 2 – 3 hours. The Red can also be powered from a standard AC outlet using the AC Adapter or DC Power Cable.

15mm Studio Configuration Included with camera

Element Technica 18” aluminum rods, 12” Arri Dovetail, Arri 15mm Base

Most shooting situations on the West Coast will be making use of these accessories. The Dovetail can replace the quickplate on O’Connor 1030 heads, or simply attach to the quickplate of any other fluid head.

Lenses $100/day, $300/week

Cooke 20-100 Zoom, Nikon Lens Mount w/ DX - G series modification (accepts newer lenses), Nikon 85mm f1.4, Nikon 50mm f1.4, Nikon 28-85mm f3.5, Nikon 80–200mm f4.5, Nikon 35mm f2, Nikon 105mm f2.5, Quantaray 28mm f2.8, Hoya ND 2, ND 4 and Polarizing filters

The Cooke 20-100 is a classic cinema zoom lens. It has a rear gel filter holder, useful for ND’s or effects. The Nikon lenses can be mounted by swapping out the camera’s PL mount.

Lens Accessories $150/day, $500/week

RedRock Matte Box, Coral and ND grad 4 x 5.65 filters, (Full ND set and Hot Mirror filter coming soon), 15mm studio to 15mm lightweight adapter, ViewFactor Wireless Follow Focus (coming soon),

Using ViewFactor’s Wireless Follow Focus is just like using a regular follow focus – the control is stunningly accurate. Please note: the RedRock Matte Box will cause a vignette on the Cooke 20-100 from 20 to 28mm. This isn’t a problem if you expect to crop or are shooting 2K or 3K.

LIGHTING & AUDIO

Lowel Ambi 4 Light Kit $50/day, $200/week

2 Tota-Lights, 2 Omni-Lights

Includes 3 Umbrellas, 2 Barndoors, 4 Gel Frames, Flags, 4 Light Stands, Tota/Omni Wheeled Case, 2 x Tota-Flags, Tota-flector, 4 Flexi-shafts, Tota-tatch, Tota-mount, and 2 x Tota-clamps. Compact, rugged and versatile, the broad throw Tota-light can be used with its umbrella or gel-frame and diffusion as a soft key, fill, or backlight. With its adjustable reflectors, it can be a smooth and even background light, or point it toward the ceiling to raise the ambient light level of a room. The wide focusing range of the Omni-light makes it a flexible key or back-light. Add diffusion or an umbrella, and it's a soft fill source.

Kino Flo Diva-Lite 400 $50/day, $200/week

4 bulb fluorescent light source

Includes 4 Daylight balanced bulbs and 4 Tungsten balanced bulbs, gel frame holder and light stand.

Sound Kit $120/day, $400/week

Wireless Mic, Shotgun Mics, Boom Pole, Field Mixer, etc.

Sennheiser G2 Wireless Lavalier and Wireless XLR Adapter (can plug into back of boom pole for wireless boom operation), Sennheiser ME-66/K6 Shotgun, Audio Technica AT825 Stereo Shotgun Mic, Sony MDR-7506 Pro Studio Headphones, Internally wired boom pole, Rode Shock Mounts, Rycote Softie, Camera Mic Mount, Sound Devices MixPre Field Mixer, Mini XLR to XLR adapters, XLR Cables

SUPPORT

Sachtler Video 30 II w/Carbon Fiber tripod Included with camera

Heavy duty, holds 55lbs. Includes wheel dolly spreader.

EZ FX Jib $50/day, $150/week

Allows for 7 feet of vertical camera movement for shots as much as 10 feet off the ground.

Cost effective, user friendly and versatile are the attributes that set the EZ Jib arm apart from all others. Add production value and get the sophisticated look of moving camera shots in your productions. Includes the EZ FX Handle which allows you to produce compound jib shots with pan/tilt movement.

Indie Dolly (coming soon) $50/day, $150/week

EasyRig (coming soon) $80/day, $200/week

**Other: Telescript Teleprompter w/ Ikegami b/w monitor

DATA/DIT SERVICE

On-set technician, workflow consultant, downloading footage $500/day